From 1914 to 1918, Flanders Fields was a major battle theatre on the Western Front during the First World War. A million soldiers from more than 50 different countries were wounded, missing or killed in action here. visitflanders.com
The poem, ‘In Flanders Fields’, by John McCrae, went on to inspire the use of the poppy, which once grew on the battlefields of Flanders Fields, to become an enduring symbol of remembrance across the world.
This morning we picked up breakfast sandwiches and coffee and headed over to Savannah’s beautiful Bonaventure Cemetery for a forenoon (Isn’t that a cool word?) picnic.
Walking afterwards, we came across her …
“What’s going on here?” I quietly asked.
(I had to repeat my question several times before she answered me.)
I had to lean in to hear her.
“Angeling is hard work.”
I simply nodded and motioned for Robert to soundlessly move along.
Today Robert and I visited the Walter Museum of Art in Baltimore. Our favorite exhibit was one called “Saint Amelie.”
SAINT AMELIE
Kehinde Wiley (American, born 1977), 2014
Saint Amelie is one of a series of twelve freestanding stained glass panels by Kehinde Wiley that depict contemporary portraits of young Black residents of Brooklyn, New York. It mirrors the form, composition, figural pose, and framing of historic stained glass windows from the medieval and Renaissance periods, and specifically a window titled Saint Amelie by the French Neoclassical painter Jean-Auguste-Dominique Ingres (1780-1867).
Wiley honors his subject, Kern Alexander, whom he used as a model in multiple works, by depicting him in a context traditionally reserved for Christian saints and religious contemplation.
Like much in Wiley’s work, Saint Amelie explores the invisibility of Black people within the traditional art historical canon.
Hand-painted stained glass, mounted on lightbox with aluminum frame.
Marveling this morn, thinking back on the church Robert and I walked past on a walk near our Airbnb in the Riverside neighborhood of Jacksonville over the weekend.
It’s Romanesque and Byzantine architecture first caught our eyes. But then the large sign out front sparkled in joyfully inclusive welcome.