Posted in Thursday Doors

Thursday Doors: “Habitat” 4/9/26

I love this quirky corner coffee shop that Robert and I stumbled upon on our trip to Philadelphia last December. (WHO visits frigid Philly in DECEMBER?!)

Walking through the skinny black door, we discovered that the baristas were as quirky as the architecture.

Baristas Toboggan Hat, Milts Hat and Green Hat behind us.

After thawing out a bit with a steaming joe …

… I warmed up conversationally and asked the baristas about the story behind the coffee shop’s name.

The three looked at each other, then at me. Toboggan Hat became the storyteller.

“A long time ago, in the early days of old Philly, this neighborhood was overrun with English tea houses. They were at every corner! You couldn’t swing a stick without knocking over a cup of Earl Grey.”

“Hmm,” I thought.

“One day an ancient bearded man, feared by children for his gruff demeanor, maybe his name was Old Joe, came sauntering down Spruce Street to this very spot, and to nobody but the cold wind, yelled, ’I’mma sick o’ tea. Ha-bat-it some damn coffee!’”

“And right here, RIGHT HERE!, the cold but kind wind morphed the decrepit corner into a coffee shop and named it Habatit Coffee, which over the decades finally became Habitat Coffee.”

“Hmm,” I thought again.

I stared at the loquacious barista.

Toboggan Hat stared back at me.

Milts Hat and Green Hat stared at Toboggan Hat.

Robert stared at, well I couldn’t tell because of his sunglasses.

Then Green Hat said, “You’re making that up, dude.”

“Yes I am,” he replied with a laugh.

“I think you should keep it as your official origin story.” I suggested.

“Naw,” Toboggan replied, “I like to make up a different one whenever anybody asks.”

We left Habitat, doubly satisfied. And walked back into the arctic but lively wind.

Posted in Monday Moaning or Monday Marveling?

Monday Moaning or Monday Marveling? 12/15/25

Marveling this 15th Day of Advent, remembering our FASCINATING few hours last week at Philadelphia’s uniquely beautiful Barnes Foundation.

Have you heard of this incredible art museum? I hadn’t.

“Philadelphia art collector Albert C. Barnes (1872–1951) chartered the Barnes in 1922 to teach people from all walks of life how to look at art. Over three decades, he collected some of the world’s most important impressionist, post-impressionist, and modern paintings, including works by Renoir, Cézanne, Matisse, and Picasso. He displayed them alongside African masks, native American jewelry, Greek antiquities, and decorative metalwork.” Barnesfoundation.org

I’ve never seen a museum like this!

The exhibition rooms are arranged in what is referred to as “ensembles,” mixing paintings with decorative objects like door hinges and metalwork to create visual dialogues across cultures and time periods. There are no explanatory notes beside each piece. Barnes did not want to tell the observer what to think about the art. (Today you can download an app which will give you info, if you choose to do so.)

Vincent van Gogh’s The Smoker (Le Fumeur)

After a bit, HR and I went our separate ways exploring and discovering.

Then I turned a corner and … saw my … my … Joy.

Wait, no, not Robert.

The colorful painting to the right of HR’s bald and shining pate.

I walked quickly past the interfering, albeit smooth, head and stood mesmerized in front of the painting which had so captured my consciousness.

The blue, or blues, drew me closer and had me standing, at peace, at calm.

The over-plenty of fruit spread across the table reminded me that my table never lacks bounty.

The painting shouted loudly that diversity of color, of shape, of direction and intent is a good thing. That colorful difference should be celebrated and displayed. Should be framed as masterful.

I stood entranced by art’s aim.

And I hope that Matisse somehow sensed, back in the warm summer of 1907 when he completed this scrumptious still life, that he was painting it specifically for an old fellow in the cold of 2025.

“This painting belongs to a remarkable group of still lifes made between 1906 and 1908 in which Matisse explores arabesques—designs of intertwined, flowing lines that function to move the viewer’s eye around the canvas. Matisse had been studying the works of Cézanne, who had died in 1906, and Cézanne’s influence can be seen in the tension here between two and three dimensions. To create the illusion of depth, Matisse constructs a series of horizontals and verticals that recede like a staircase.” Barnes Foundation

Posted in Five Friday Happy Bringers

Five Friday Happy Bringers 12/12/25

My weekly gratitude journal, of sorts.

Robert and I have been up in Philadelphia this week for an anniversary getaway, so most of my Happy Bringers are found within our travel.

1. First, a few photographic mistakes I made during the week. Which are actually sort of cool.

2. Delicious and messy Philly Cheesesteak at Pat’s King of Steaks (who supposedly created the iconic sandwich).

3. The Joy of being able to travel a bit. Everybody certainly doesn’t have the luxury.

4. Well, …

It was our anniversary after all.

5. Unbeknown to HR and me while planning our Philadelphia trek … landing smack dab in the center of Philly’s Gayborhood.

The blue dot is our hotel, Alexander Inn.

Iconic gay bookstore, Giovanni’s Room, a short walk away.

May you have a Grand and Gay Weekend ahead!

P.S. As I write this post, Robert and I are on the Midnight Train to Georgia. (We arrive in Atlanta early morn.)

[We’re] leaving (leaving)
On that midnight train to Georgia (leaving on a midnight train)
Hmm, yeah
Said [we’re] going back (going back to find)
To a simpler place and time (and when [we take] that ride)
Oh yes,
[we are]”